Nat King Cole Early singing career
 Cole's first mainstream vocal hit was his 1943 recording of one of his compositions, Straighten Up and Fly Right, based on a black folk tale that his father had used as a theme for a sermon. Johnny Mercer invited him to record it for the fledgling Capitol Records label. It sold over 500,000 copies, and proved that folk-based material could appeal to a wide audience. Although Nat would never be considered a rocker, the song can be seen as anticipating the first rock and roll records. Indeed, Bo Diddley, who performed similar transformations of folk material, counted Cole as an influence.
Beginning in the late 1940s, Cole began recording and performing more pop-oriented material for mainstream audiences, often accompanied by a string orchestra. His stature as a popular icon was cemented during this period by hits such as The Christmas Song (Cole recorded the tune three times: in 1946, his first recording to include strings and the only one where he sings reindeers, 1953, and 1961 - the last version is the one most often played today), Nature Boy (1948), Mona Lisa (1950), Too Young (the #1 song in 1951), and his signature tune Unforgettable (1951). While this shift to pop music led some jazz critics and fans to accuse Cole of selling out, he never totally abandoned his jazz roots; as late as 1956, for instance, he recorded an all-jazz album, After Midnight.
Nat King Cole with future star Billy Preston, aged 10 (1957).
Making television history
On 5 November 1956, The Nat King Cole Show debuted on NBC-TV. While commentators have often erroneously hailed Cole as the first African-American to host a network television show — an honor belonging to jazz pianist and singer Hazel Scott in 1950 — the Cole program was the first of its kind hosted by a star of Nat Cole's magnitude.
Initially begun as a 15-minute show on Monday night, the show was expanded to a half hour in July 1957. Despite the efforts of NBC, as well as many of Cole's industry colleagues (beginning with Frankie Laine, who was the first white singer to break the color barrier by appearing as a guest on a black entertainer's show) -- most of whom, such as Ella Fitzgerald, Harry Belafonte, Mel Torm?, Peggy Lee, and Eartha Kitt — worked for industry scale in order to help the show save money, The Nat King Cole Show was ultimately done in by a lack of national sponsorship. Companies such as Rheingold Beer assumed regional sponsorship of the show, but a national sponsor never appeared.
The last episode of The Nat King Cole Show aired 17 December 1957. Cole had survived for over a year, and it was he, not NBC, who ultimately decided to pull the plug on the show. NBC, as well as Cole himself, had been operating at an extreme financial loss. Commenting on the lack of sponsorship his show received, Cole quipped shortly after its demise, Madison Avenue is afraid of the dark. This statement, plus the passing of time, has fueled the urban legend that Cole's show had to close down despite enormous popularity. In fact, the Cole program was routinely beaten by the competition at ABC, then riding high with its travel and western shows. In addition, musical variety series have always been risky enterprises with a fickle public; among the one-season casualties are Frank Sinatra in 1957, Judy Garland in 1963 and Julie Andrews in 1972.
Cancellation and Racism
The TV show was ultimately cancelled because potential sponsors shied away from showcasing a black artist. Cole fought racism all his life and refused to perform in segregated venues. In 1956, he was assaulted on stage while singing the song Little Girl in Birmingham, Alabama by members of the White Citizens' Council who apparently were attempting to kidnap him. Cole completed the performance despite injuries, but never again performed in the South.
1950s and beyond
Throughout the 1950s Cole continued to rack up hit after hit, including Smile, Pretend, A Blossom Fell, If I May. His pop hits were collaborations with well-known arrangers and conductors of the day, including Nelson Riddle, Gordon Jenkins, and Ralph Carmichael. Riddle arranged several of Cole's 1950s albums, including his first 10-inch long-play album, his 1953 Nat King Cole Sings For Two In Love. Jenkins arranged Love Is the Thing, #1 on the album charts in April 1957.
In 1958, Cole went to Havana, Cuba to record Cole Espa?ol, an album sung entirely in Spanish. The album was so popular in Latin America as well as in the USA, that two others in the same vein followed: A Mis Amigos (sung in Spanish and Portuguese) in 1959, and More Cole Espa?ol in 1962. A Mis Amigos contains the Venezuelan hit Ansiedad, whose lyrics Cole had learned while performing in Caracas in 1958. Cole learned songs in languages other than English by rote.
The change in musical tastes during the late 1950s meant that Cole's ballad singing did not sell well with younger listeners, despite a successful stab at rock n' roll with Send For Me (peaked at #6 pop). Along with his contemporaries Dean Martin, Frank Sinatra and Tony Bennett, Cole found that the pop singles chart had been almost entirely taken over by youth-oriented acts. In 1960, Nat's long-time collaborator Nelson Riddle left Capitol Records for Frank Sinatra's newly formed Reprise Records label. Riddle and Cole recorded one final hit album Wild Is Love, based on lyrics by Ray Rasch and Dotty Wayne. Cole later retooled the concept album into an off-Broadway show, I'm With You.
Nat King Cole and daughter Natalie Cole. Photo: Howard Frank Archives
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This image has an uncertain copyright status and is pending deletion. You can comment on the removal.Cole did manage to record some hit singles during the 1960s, including the country-flavored hit Ramblin' Rose in August of 1962, Dear Lonely Hearts, Those Lazy, Hazy, Crazy Days Of Summer, and That Sunday, That Summer.
Cole performed in many short films, and played W. C. Handy in the film Saint Louis Blues (1958). He also appeared in The Nat King Cole Story, China Gate, and The Blue Gardenia (1953) (see photo above). Cat Ballou (1965), his final film, was released several months after his death.
Death & posthumous achievements
Cole, a heavy smoker, died of lung cancer on February 15, 1965 while still at the height of his singing career. The day before he died, he did a radio interview, stating: I am feeling better than ever. I think I've finally got this cancer licked. A 1997 edition of Chicken Soup for the Soul published a story stating that Cole's wife Maria nearly missed his death due to car trouble, but this is an urban legend.
His last album, L-O-V-E, was recorded in early December 1964 — just a few days before entering the hospital for lung cancer treatment — and released just prior to his death; it peaked at #4 on the Billboard Albums chart in the spring of 1965. A Best Of album went gold in 1968. His 1957 recording of When I Fall In Love topped the UK charts in 1987.
In 1983, an archivist for Electrola Records, Capitol Records' subsidiary in the Netherlands, discovered some songs Cole had recorded but had never been released, including one in Japanese and another in Spanish (Tu Eres Tan Amable). Capitol released them later that year as the LP Unreleased.
Cole was inducted into both the Alabama Music Hall of Fame and the Alabama Jazz Hall of Fame. He was awarded the Grammy Lifetime Achievement Award in 1990.
In 1991, Mosaic Records released The Complete Capitol Recordings of the Nat King Cole Trio, an 18 compact disc set, consisting of 349 songs. (This special compilation also was available as a 27 high-quality LP record set.)
Nat's youngest brother Freddy Cole, and Nat's daughter, Natalie Cole are also singers. In the summer of 1991, Natalie and her father had an unexpected hit when Natalie mixed her own voice with her father's 1961 rendition of Unforgettable, as part of her album paying tribute her father's music. The song and the album of the same name won seven Grammy awards in 1992.
Marriage, children and other personal details
There has been some confusion as to Cole's actual year of birth. Nat himself used four different dates on official documents: 1915, 1916, 1917, and 1919. However, Nathaniel is listed with his parents and older siblings in the 1920 U.S. Federal census for Montgomery Ward 7 and his age is given as nine months old. Since this is a contemporary record, it is very likely he was born in 1919. This is also consistent with the 1930 census which finds him at age 11 with his family in Chicago's Ward 3. In the 1920 census, the race of all members of the family (Ed., Perlina, Eddie M., Edward D., Evelina and Nathaniel) is recorded as mulatto. Cole's birth year is also listed as 1919 at the Nat King Cole Society's web site.
Cole's first marriage, to Nadine Robinson, ended in 1948. On March 28, 1948 (Easter Sunday), just six days after his divorce became final, Nat King Cole married singer Maria Hawkins Ellington — no relation to Duke Ellington although she had sung with Ellington's band. They were married in Harlem's Abyssinian Baptist Church by Adam Clayton Powell, Jr. They had five children: daughter Natalie was born in 1950, followed by adoption of Carol (the daughter of Maria's sister, born in 1944) and a son Nat Kelly Cole (born in 1959), who died in 1995 at 36. Twin girls Casey and Timolin were born in 1961.
In 1948, Cole purchased a house in the all-white Hancock Park neighborhood of Los Angeles. The property owners association told Cole they did not want any undesirables moving in. Cole retorted Neither do I. And if I see anybody undesirable coming in here, I'll be the first to complain.
Cole carried on affairs throughout his marriage. By the time he contracted lung cancer, he was estranged from his wife Maria in favor of actress Gunilla Hutton, best known as Nurse Goodbody of Hee Haw fame. However, he was together with his wife during his illness and she stayed with him until his death. In interview, his wife Maria has expressed no lingering resentment over his affairs, but rather emphasised his musical legacy and the class he exhibited in all other aspects of his life.
Cole was a heavy smoker of KOOL menthol cigarettes, smoking up to three packs a day. He believed smoking kept his voice low. (He would, in fact, smoke several cigarettes in quick succession before a recording for this very purpose.) He died of lung cancer on February 15, 1965, at St. John's Hospital in Santa Monica, California. His funeral was held at St. James Episcopal Church on Wilshire Boulevard in Los Angeles. His remains were interred inside Freedom Mausoleum at Forest Lawn Memorial Park in Glendale,
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